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I want to say a few things before we get on to this article.  First, Pure Textuality LOVES indie authors.  Like, as a rule.  Several of the staff members here at the site are indie authors, myself and Ginny included.  I am posting this article because I found it funny that the article is coming from someone who is an outspoken advocate for indie authors.  Although I agree with some points, I feel that this article is a bit of a double –edged sword.  I feel that indie authors can’t win in this industry.  Even the top notch – people who pay for professional editing and publicists – still have a hell of a time selling their books because of the stigma that comes along with being an indie author (inexperienced, unprofessional, bad writers).  I have been lucky enough to get to know a good many indie authors after I read and fell in love with their books.  I acknowledge that there are some BAD writers out there in the indie world but in all fairness, there are some BAD writers out there in the traditional publishing world too.  However, the bulk of this article is not about bad writing.  It’s about indie authors selling their books for dirt cheap and what it’s doing to the publishing world at large.  I invite comments on this post.  Read the article and tell me what you think.  I am curious to know your reactions to this.  Do you think the prices hurt?  Do you think that the gimicks and giveaways are shady or “too much”?  Let me know.  Thanks everyone!  – Jena  Read on for the article….

By Melissa Foster for indiereader.com

Self-published authors have created a devaluing of the written word, and, some of them are scrambling to see how low they can go to get noticed.

Let us list the ways: 99-cent price point for ebooks. Free ebooks via KDP Select program. Unedited work. Kindle giveaways to get attention and bulk up sales. And lastly, nasty reviews from other authors with the sole purpose of driving down customer ratings.

Why are indie authors selling their work so cheap? In short, mismanaged expectations. Many self-published authors hear about the outliers who earn hundreds of thousands of dollars, and they’ll do anything to try and reach that pinnacle. The plain fact is that most of them never will.

The Guardian recently reported that, “Despite the splash caused by self-publishing superstars such as Amanda Hocking and EL James, the average amount earned by DIY authors last year was just $10,000 (£6,375) – and half made less than $500.” That was backed up by a recent poll of authors who have 2 or less 99-cent ebooks on the market that revealed that 75% of authors are selling less than 100 ebooks per month at that rate, with 46% selling less than 10 ebooks per month.

Yes, there are 99-cent anomalies. A recent headline on GalleyCat reported that, “99-Cent Sale Sweeps Self-published Bestseller List”. Yes, Stephanie Bond did achieve bestseller status with three of her titles, all listed for 99 cents but what most indie authors fail to realize is that Stephanie was previously traditionally published and has a following in place. As a new author, that’s very difficult to match.

Although many do try, and not just by giving away books for less than a buck. Many indie authors are now relying on gimmicks to gain sales. They’re giving away Kindles and iPads in exchange for reviews and as raffles during sales promotions. Traditionally published authors aren’t stooping to these tactics. Why are indies? The short answer is that with over 1 million ebooks published each year, it’s difficult to make a mark.

The lesson may be that if indie authors don’t value their work, chances are no one else will either. Readers want, and deserve, quality books, and they’re used to paying for them. Think about it: pennies for pages didn’t exist before ebooks and self-publishing were viable.

Does this mean that self-published authors are killing the publishing industry? Yes, in a sense it does. What can be done about this devaluing of the written word? How can self-published authors change this scenario and help make self-publishing, as a whole, shine and earn as respectable of a reputation as traditional publishing?

Goals of self-published authors vary. Some dream of wealth, while others simply want to get their stories read. Some writers are now afraid to self-publish because of the reputation that self-published works are garnering. If indie authors are going to make their mark, they’ll need to band together, put out reputable works, and stop looking for get-sales-quick gimmicks. The cycle of pricing books lower than the next author is a dangerous one. After all, there’s nowhere left to go after “free”.

Melissa Foster is the award-winning author of three International bestselling novels, she is a community builder for the Alliance of Independent Authors and is a touchstone in the indie publishing arena. When she’s not writing, Melissa teaches authors how to navigate the book marketing world, build their platforms, and leverage the power of social media, through her author-training programs on Fostering Success. Melissa is the founder of the World Literary Café, Fostering Success, and the Women’s Nest. She has been published in Calgary’s Child Magazine, the Huffington Post, and Women Business Owners magazine. Connect with Melissa on her website, Twitter, Facebook, or Pinterest.


This story is compliments of theindiereder.com via The Huffington Post